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We live today indebted to McCardell, Cashin, Hawes, Wilkins, and Maxwell, and other women who liberated American fashion from the confines of Parisian design. Independence came in tying, wrapping, storing, harmonizing, and rationalizing that wardrobe. These designers established the modern dress code, letting playsuits and other activewear outfits suffice for casual clothing, allowing pants to enter the wardrobe, and prizing rationalism and versatility in dress, in contradiction to dressing for an occasion or allotment of the day. Fashion in America was logical and answerable to the will of the women who wore it. Implicitly or explicitly, American fashion addressed a democracy, whereas traditional Paris-based fashion was prescriptive and imposed on women, willing or not.
In an earlier time, American fashion had also followed the dictates of Paris, or even copied and pirated specific French designs. Designer sportswear was not modeled on that of Europe, as "modern art" would later be; it was genuinely invented and developed in America. Its designers were not high-end with supplementary lines. The design objective and the business commitment were to sportswear, and the distinctive traits were problem-solving ingenuity and realistic lifestyle applications. Ease of care was most important: summer dresses and outfits, in particular, were chiefly cotton, readily capable of being washed and pressed at home. Closings were simple, practical, and accessible, as the modern woman depended on no personal maid to dress her. American designers prized resourcefulness and the freedom of women who wore the clothing.
Many have argued that the women designers of this time were able to project their own clothing values into a new style. Of course, much of this argument in the 1930s-40s was advanced because there was little or no experience in justifying apparel (服装)on the basis of utility. If Paris was cast aside, the tradition of beauty was also to some degree slighted. Designer sportswear would have to be verified by a standard other than that of pure beauty; the emulation of a designer's life in designer sportswear was a crude version of this relationship. The consumer was ultimately to be mentioned as well, especially by the likes of Dorothy Shaver, who could point to the sales figures at Lord & Taylor.
Could utility alone justify the new ideas of the American designers? Fashion is often regarded as a pursuit of beauty, and some cherished fashion's trivial relationship to the fine arts. What the designers of American sportswear proved was that fashion is a genuine design art, answering to the demanding needs of service. Of course these practical, insightful designers have determined the course of late twentieth- century fashion. They were the pioneers of gender equity, in their useful, adaptable clothing,which was both made for the masses and capable of self-expression.
1
What contribution did the women designers make to American fashion?
A.They made some improvements on the traditional Parisian design.
B.They formulated a dress code with distinctive American features.
C.They came up with a brandnew set of design procedures.
D.They made originality a top priority in their fashion design.
本题答案:
  • A
  • B
  • C
  • D
  • 参考答案:B
  • 系统解析:
    由题干中的women designers American fashion定位到首段第三句和第二段第二句。推理判断题。定位句指出,文章首句提到的这些女性设计师确立了现代女装的规则,而名牌的运动装设计并非模仿欧洲设计,而是完全在美国本土创立并发展的,可见这些设计师建立了带有独特美国特征的着装规则,故答案为B。
2
What do we learn about American designer sportswear?
A.It imitated the European model.
B.It laid emphasis on women's beauty.
C.It represented genuine American art.
D.It was a completely new invention.
本题答案:
  • A
  • B
  • C
  • D
  • 参考答案:D
  • 系统解析:
    由题干中的American designer sportswear 定位到第二段第二句。推理判断题。定位句指出,名牌的运动装不是模仿欧洲设计,就像后来的“现代艺术”一样,它是真正在美国创立并发展的,可见它是一种全新的创造,故答案为D。
3
What characterized American designer sportswear?
A.Pursuit of beauty.
B.Decorative closings.
C.Ease of care.
D.Fabric quality.
本题答案:
  • A
  • B
  • C
  • D
  • 参考答案:C
  • 系统解析:
    由题干中的characterized和American designer sportswear定位到第二段第四句和第五句前半部分。细节辨认题。作者在定位句中指出,美式名牌运动装的突出特点就是解决问题的巧思和现实生活方式的实用性,易于打理是设计的首要考虑,可见这一点是美式名牌运动装的特征,故答案为C。
4
What occurred in the design of women's apparel in America during the 1930s-40s?
A.A shift of emphasis from beauty to utility.
B.The emulation of traditional Parisian design.
C.A search for balance between tradition and novelty.
D.The involvement of more women in fashion design.
本题答案:
  • A
  • B
  • C
  • D
  • 参考答案:A
  • 系统解析:
    由题干中的apparel和the 1930s—40s定位到第三段第二、三句。推理判断题。定位句指出,在二十世纪三四十年代,人们以实用性为基础进行服装调整, 这在一定程度上冷落了美学传统。可见这个阶段是从注重美学转变到关注实用性设计,故答案为A。
5
What do we learn about designers of American sportswear?
A.They catered to the taste of the younger generation.
B.They radically changed people's concept of beauty.
C.They advocated equity between men and women.
D.They became rivals of their Parisian counterparts.
本题答案:
  • A
  • B
  • C
  • D
  • 参考答案:C
  • 系统解析:
    由题干中的designers of American sportswear 和题文同序原则定位到文章最后三句。推理判断题。定位句指出,美国运动装设计师注重实际,具有洞察力,她们是两性平等的先驱,体现在她们实用、适应性强的服装上,这既适合大众,又能表达自我个性。可见这些设计师赞成男女平等,故答案为C。
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