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We often think of drawing as something that takes inborn talent, but this kind of thinking stems from our misclassification of drawing as, primarily, an art form rather than a tool for learning.
Researchers, teachers, and artists are starting to see how drawing can positively impact a wide variety of skills and disciplines.
Most of us have spent some time drawing before, but at some point, most of us stop drawing. There are people who don't, obviously, and thank god for that: a world without designers and artists would be a very shabby one indeed.
Some argue that so many adults have abandoned drawing because we've miscategorized it and given it a very narrow definition. In his book, Stick Figures: Drawing as a Human Practice, Professor D. B. Dowd argues that we have misfiled the significance of drawing because we see it as a professional skill instead of a personal capacity. We mistakenly think of "good" drawings as those which work as recreations of the real world, as realistic illusions. Rather, drawin should be recategorized as a symbolic tool.
Human beings have been drawing for 73,000 years. It's part of what it means to be human. We don't have the strength of chimpanzees(大猩猩) because we've given up animal strength to manipulate subtle instruments, like hammers, spears, and -- later -- pens and pencils. The human hand is an extremely dense network of nerve endings. In many ways, human beings are built to draw.
Some researchers argue that doodling (涂画) activates the brain's so-called default circuit -- essentially, the areas of the brain responsible for maintaining a baseline level of activity in the absence of other stimuli. Because of this, some believe that doodling during a boring lecture can help students pay attention. In one study, participants were asked to listen to a list of names while either doodling or sitting still. Those who doodled remembered 29 percent more of the names than those who did not.
There's also evidence that drawing talent is based on how accurately someone perceives the world. The human visual system tends to misjudge size,. shape, color, and angles but artists perceive these qualities more accurately than non-artists. Cult ating drawing talent can become an essential tool to improve people's observational skills in fields where the visual is important.
Rather than think of drawing as a talent that some creative people are gifted in, we should consider it as a tool for seeing and understanding the world better -- one that just so happens to double as an art form. Both absent-minded doodling and copying from life have been shown to positively affect your memory and visual perception, so complain loudly the next time your school board slashes the art department's budget.
1
What do people generally think about drawing?
A.It is a gift creative people are endowed with.
B.It is a skill that is acquired with practice.
C.It is an art form that is appreciated by all.
D.It is an ability everyone should cultivate.
本题答案:
  • A
  • B
  • C
  • D
  • 参考答案:A
  • 系统解析:
    由题干中的generally think about及题文同序原则定位到首段。事实细节题。文章首段第一句指出,我们常常认为绘画是一件需要天赋的事情,而最后一段第一句重复了这个看法,建议大家不要把绘画看作是一些有创造力的人所具有的天赋,可知这是人们对绘画通常的看法,故答案为A。根据文章可知,将绘画视为通过练习获得的技能和人人都应培养的能力,是研究者提出的新观点,与人们的传统看法不同,故排除B项和D项;C项有一定迷惑性,第一段首句虽然提到绘画被视为一种艺术形式,但并没有提到大家都欣赏绘画的问题,故排除。
2
What do we learn about designers and artists?
A.They are declining gradually in number.
B.They are keen on changin shabby surroundings.
C.They add beauty and charm to the world.
D.They spend most of their lives drawing.
本题答案:
  • A
  • B
  • C
  • D
  • 参考答案:C
  • 系统解析:
    由题干中的designers and artists定位到第三段第二句。推理判断题。定位句提到,幸亏有些人没有停止画画,因为一个没有设计师和艺术家的世界将是一个非常糟糕的世界,换言之,因为有了设计师和艺术家,这个世界变得美好了,可知C是对原文内容的合理推断,故为答案。A项曲解了第三段第一句,原文的意思是很多成年人放弃了绘画,但有些人没有放弃,并成为了设计师和艺术家,无法推断出他们的人数正在逐渐减少,故排除;B项为强干扰项,使用了原文原词shabby,但两处shabby概念不同:原文中shabby world指的是因为没有设计师和艺术家而导致的缺乏美感和魅力的世界,是抽象的概念,而B项中shabby surroundings指的是破旧的周围环境,是具体的概念,而且文中并未提及这些人是否热衷于改变周围环境,故排除;虽然原文提到成为设计师和艺术家的人没有放弃练习绘画,但不能搪此推断他们一生大部分时间都在画画,故排除D。
3
What does Professor D. B. Dowd argue in his book?
A.Everybody is born with the capacity to draw.
B.Drawing is a skill that requires special training.
C.The value of drawing tends to be overestimated.
D.Drawing should be redefined as a realistic illusion.
本题答案:
  • A
  • B
  • C
  • D
  • 参考答案:A
  • 系统解析:
    由题干中的Professor D. B. Dowd和in his book定位到第四段第二句。细节理解题。文章第四段第二句指出,D.B.多德教授在他的书中指出,我们应该把绘画视为个人能力,而不是专业技能,而第五段最后一句指出,从许多方面而言,人类生来就是画画的。综合两处信息可知,绘画是每个人生来就具备的能力,故答案为A。根据第四段第二句,将绘画视为专业技能的看法是D.B.多德教授所反对的,故排除B;原文只提到绘画分类错误,且被下了狭隘的定义,而不是价值被高估,故排除C;根据第四段倒数第二句,D.B.多德教授认为,将绘画视为现实的幻觉是我们错误的看法,可见D项与他的观点相悖,故排除。
4
What have some researchers found from one study about doodling?
A.It is a must for maintaining a base level of brain activity.
B.It can turns something boring into something interesting.
C.It is the most reliable stimulant to activate the brain.
D.It helps improve concentration and memory.
本题答案:
  • A
  • B
  • C
  • D
  • 参考答案:D
  • 系统解析:
    由题干中的study和doodling定位到第六段第二至四句。细节理解题。第六段第二句提到,一些人认为在枯燥的讲座中涂鸦可以帮助学生集中注意力,而随后两句提到,在一项研究中,参与者被要求在涂鸦或静坐时听一张名单,涂鸦的人比没有涂鸦的人多记住29%的名字。综合可知,涂鸦有助于提高注意力和记忆力,故答案为D。第六段第一句指出,涂鸦能激活负责维持活动基本水平的大脑区域,但这是在没有其他剌激的情况下,也就是说,有其他刺激的情况下,并不需要涂鸦来激活这个大脑区域,因此涂鸦并非必要条件,故排除A;B是针对本段第二句提到的a boring lecture所设置的干扰,但原文只是说在枯燥的讲座中涂鸦可以帮助学生集中注意力,并没有说可以把无聊的事情变得有趣,故排除B;本段第一句虽然提到涂鸦能激活大脑的某些区域,但并未提到它是最可靠的,故排除C。
5
What is characteristic of people with drawing talent?
A.Sensitivity to cognitive stimulation.
B.Subtlety of representation.
C.Accuracy in categorization.
D.Precision in visual perception.
本题答案:
  • A
  • B
  • C
  • D
  • 参考答案:D
  • 系统解析:
    由题干中的drawing talent定位到第七段。细节理解题。第七段第一句指出,绘画天赋是基于一个人感知世界的准确程度,随后解释说,人类视觉系统往往会做出错误判断,但艺术家对事物外观特征的感知更准确,可知这些具有绘画天赋的人视觉感知更精确,故答案为D。A是根据第六段首句设置的干扰,而原文虽提到涂鸦能刺激脑回路,但与是否具有绘画天赋没有关联,故排除;第五段提到人能操控精细工具,但这是人人具有的能力,不是具有绘画天赋的人的特点,故排除B;文中提到的分类不准确是指人们对绘画的定义和划分,并未说明具有绘画天赋的人能否准确分类,故排除C。
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